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The Springsteen of CCM, Rich Mullins was always an outsider. He asked taboo questions, challenged authority and wrote about sin. In essence, he resembled Jesus more than most of his Nashvillle peers in the “business”. His utter refusal to be a Jesus billboard has earned him the Johnny Cash like respect of believers and non-believers alike.
Recorded mere weeks before his untimely death, this bare bones acoustic set, made inside an abandoned church, is something to behold. It’s raw, un-pretty and it swells and ebbs with a kind of hushed urgency you’ll never find on professional recordings. It’s as haunting as a Robert Johnson record and as lyrically formed as Dylans best work.