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The Louvin Brothers shared something very eerie, a solemn darkness about their simple, brimstone affected country gospel. Audibly seeming heavenly, their pitch perfect harmonies belied a deeper message of good and evil, Heaven and Hell. The rich melodies contrasted stone sober warnings of damnation and consequence. It was a foreboding sound, like transmissions from a radio caught in purgatory. Today, it could be said that the both the Everly Brothers and Brian Wilson received a good portion of their influence from the Louvin sound.
Either way, Satan Is Real, their landmark 1959 masterpiece, is the epitome of that influence, a powerful, distinctive collection of mostly original gospel country tunes that still pull the hairs on my neck up. Sorrowful, beautiful and timeless, they offer a window to simpler times.