Difficult as it is to envision that Mark Oliver Everett cries at night for lack of love from the critics, you still get the feeling that he might be held in even higher esteem if he’d just been a little more work-shy. The relentless rate at which he’s released albums over the past couple of decades means that a new Eels release seldom feels like an event, and therefore is perhaps likelier to be overlooked than if he only popped up every three or four years. Both 2013’s boisterous Wonderful, Glorious and last year’s stripped-back confessional exercise, The Cautionary Tales Read more on Last.fm.
